311: The Omaha-based Funk-Rock Veterans Still Thrilling Audiences

Music 311

The band 311 originated in Omaha, Nebraska. The members consisted of vocalist Nick Hexum, guitarist Jim Watson, bassist Aaron “P-Nut” Wills and drummer Chad Sexton. Later, Doug “SA” Martinez joined the group as a vocalist and turntablist.

The debut album, Music, released in 1993 was a big hit for the band. They followed it up with Grassroots in 1994 and Transistor in 1997.

Band members

The band incorporated their name into the title of their first album, and it has since become a tagline for their musical style. 311’s music is more laid back than the spastic 1980s punk-funk tradition they came out of and less suffocatingly serious than the angsty bro scene that would rub elbows with them in the 90s. That slipperiness would keep them popular long after peers in either genre found their pop culture stock falling.

In 1991, 311 released a second independent release called Unity through their own independent record label, What Have You? Records. They printed 1000 CDs and 500 cassettes of the album, distributing them through consignment and selling them at shows. Jim Watson left the band at this time and was replaced by Tim Mahoney.

During the recording of this album, the band recorded a cover of Toots & the Maytals’ song “Reggae Got Soul” for the soundtrack to the movie Remember The Daze. It was the only time that a non-album track appeared on an official 311 release, but it has since become one of the band’s signature songs.


311 has released thirteen studio albums, two live albums, four compilations, and four EPs. They are known for their hybrid sound of reggae, hip hop and rock fusion. Their first album, Music, was released on Capricorn Records in 1993 and was a hit on modern rock radio stations. Their next album, Grassroots, was also successful. It was around this time that the band added drummer Chad Sexton and guitarist Nick Hexum. Hexum also tapped Tim Mahoney to replace Jim Watson on guitar and Doug “SA” Martinez joined as a full-time member.

In 1994, 311 bought their own recording studio in North Hollywood. They named it The Hive, and they used the facility to record their albums and tour. The Hive also houses the band’s merch table, VIP area and rehearsal space. 311’s most recent album, Transistor, was released in 1997. The band currently tours with a set list that is determined night-to-night by the band.


Music 311 is one of the most popular ’90s rock bands, and they still thrill audiences when they hit the road. Taking their name from the Nebraska police code for streaking, the Omaha-based band mixes hip-hop, reggae and funk to create a rock dance party. They’ve toured with acts like Sublime and Dirty Heads and have a devoted fan base to match.

Fans can catch the funk-rock veterans on their upcoming Fall Tour, which begins September 2nd in Columbus and ends November 12th in Los Angeles. They’ll play 27 shows, including special album-themed performances in New York City, Chicago and Los Angeles. These shows will dedicate two nights to each of the band’s first six albums: Music and Grassroots in NYC, Blue and Transistor in Chicago and Soundsystem and From Chaos in LA.

Nick Hexum says the band hasn’t slowed down yet and that their creativity hasn’t peaked. They’ll have plenty to celebrate if they keep producing hits like “Purpose,” which features a hooky melody and intergalactic guitar leads.


With all the talk about how the band had gone a bit too EDM on some of their later albums, it was nice to hear that 311 hadn’t lost that rootsie feel. They kept their funk-rock roots intact with this song and they made it work.

This is one of those rare 311 songs that has a legible melody that never lapses into the kind of chugging distortion that’s so common to their sound. And it’s done with style and panache, too.

This is the first song of the night to feature a tribute to Chuck Berry, who died earlier that day. It’s a great moment and it really gets the crowd going. 311 then goes back to the groove with a song called Down. It’s a great song that shows how much these guys love to play the music they make. They don’t take it for granted, even after playing it for a long time.

Love and Longing in Musical Covers

Covering Musica E Isso Ai

E Isso Ai is a remarkable song that conveys the complexities of love and longing. Originally performed by Damien Rice, it has been covered by many different artists, including Brazilian musician Ana Carolina. Her interpretation of this remarkable song adds a distinct flavor and touches listeners in a profound way.

The Blower’s Daughter

The Blower’s Daughter is a song by Irish musician Damien Rice. It was first released in Ireland on 21 September 2001 through 14th Floor Records, and was included on his debut studio album O. The track is notable for its melancholic vulnerability and delicate vocals, which have earned it international acclaim. It also gained popularity in the United States after it was featured in the 2004 film Closer.

Ana Carolina was inspired to cover the song because of its beauty and emotional depth. Her soulful interpretation adds a layer of authenticity and vulnerability to the lyrics, which allows listeners to fully immerse themselves in the meaning of the song.

The Blower’s Daughter is a timeless song that speaks to the complexities of love and longing. Its powerful lyrics and emotive delivery have touched the hearts of many people worldwide, making it one of the most beloved songs ever recorded. This track is definitely worth adding to your music collection!

E Isso Ai

E Isso Ai, which was originally performed by Damien Rice, is a remarkable song that conveys the beauty of life’s simplicity and the diversity of people’s beliefs and actions. It also evokes emotions of longing and desire, capturing the intricacies of a passionate love story. Ana Carolina’s soulful rendition of this song has gained widespread acclaim, touching the hearts of many listeners.

In her rendition, she adds a personal touch to the lyrics, creating a unique flavor that is accentuated by her powerful vocals and emotional delivery. She takes listeners on a journey through the stages of a loving relationship, from the excitement and initial connection to the fluctuation of desire and doubt and finally to the bittersweet pain of separation.

Ana Carolina

Ana Carolina is a skilled singer-songwriter who draws inspiration from a wide variety of musical icons. Her songs evoke a range of emotions including love, longing, and desire. They are often inspired by personal experiences and are emotionally intense, capturing the raw emotions of life. The evocative beauty of her voice and lyrics leave listeners deeply moved, creating an emotional experience that is difficult to forget.

E Isso Ai is a beautiful song that speaks to the beauty of life’s simplicity and the diversity of people’s beliefs and actions. It also reflects on the allure of someone whose gaze is impossible to resist. It is a perfect song for anyone who has experienced the joys and struggles of love. Ana Carolina’s powerful and emotional rendition of this timeless classic has earned her critical acclaim from both industry professionals and fans.

Seu Jorge

Known to most non-Brazilians for his work as a musician in Wes Anderson’s The Life Aquatic with Steve Zissou, singer-songwriter Seu Jorge is an accomplished acoustic performer. He’s a master at blending different musical styles into one unified whole and has earned himself a large and dedicated fan base.

His songs are influenced by traditional Brazilian music and the samba schools where he trained, as well as the American soul music of Stevie Wonder. The result is a unique sound that has garnered critical acclaim from fellow musicians and audiences alike.

The heart-warming track “Bem Querer” is a favorite among couples and has a gentle composition that evokes feelings of love and romance. It’s also a great song to dance along with, with its funky rhythm and catchy chorus. With a sound like this, it’s no wonder that Seu Jorge is a crowd-pleaser at all his live performances. He and his band Almaz have the feel of a private jam session with each member having a distinct and important role to play.